After finally obtaining Alexis Lloyd’s 30 Beats, I was able to make nearly 400 screen caps from the film. Like every actor from the experimental flick, Lee Pace has two different scenes — one with Paz de la Huerta and the second with French actress, Vahina Giocante. There’s (brief) nudity in a couple of the stills and otherwise some adult situations, so they should be considered NSFW.
Six new film stills from Lincoln have been added to the gallery. These are great, with most of them primarily featuring Lee Pace (including a couple of solo shots of him as Fernando Wood). Although this doesn’t have to do with the images, the SAG Awards were held last night; unfortunately, however, Lincoln lost to Argo. Hopefully we’ll see the film pick up some more awards soon, as the BAFTAs and Oscars are still coming up.
After well over a year with the same look, Lee Pace Odyssey has a new layout! This time, it’s provided by Flor at Sweet Revelation, who has officially worked on every site that I own. I absolutely adore her work, obviously, and this gorgeous look is no exception. Using the same images as the last layout – with Lee alongside his dog, Carl – I thought it was a perfect way to “freshen” up LPO while still using my favorite photo shoot of him. The press archive has also been edited to match the main page. Hope everyone loves it as much as I do!
Congratulations are in order to Lee Pace, as he’s currently starring in an Academy Award-nominated film. As announced yesterday morning, Lincoln earned an extraordinary twelve Oscar nominations (the most of all other films), including Best Picture, Best Actor (Daniel Day-Lewis), Best Actor in a Supporting Role (Tommy Lee Jones, whom Lee predominately acted against), and Best Actress in a Supporting Role (Sally Field). Check out the full list of Lincoln‘s nods below, then head to the source for the (at times, very surprising) list of this year’s Oscar nominees:
Best Picture: Steven Spielberg, Kathleen Kennedy (Producers)
Actor in a Leading Role: Daniel Day-Lewis
Actor in a Supporting Role: Tommy Lee Jones
Actress in a Supporting Role: Sally Field
Directing: Steve Spielberg
Writing (Adapted Screenplay): Tony Kushner
Cinematography: Janusz Kaminski
Costume Design: Joanna Johnston
Film Editing: Michael Kahn
Music (Original Score): John Williams
Production Design: Rick Carter (Production Design), Jim Erickson (Set Decoration)
Sound Mixing: Andy Nelson, Gary Rydstrom, Ronald Judkins
FOR THE FULL LIST OF NOMINEES, GO HERE.
The author of this new interview with Lee Pace seems to be a big fan, complimenting him on his work in The Fall as well as calling him a “charming and approachable […] heartthrob.” What does Lee think of that status? He shares his feelings about that romanticized title in this BlackBook interview, of which an excerpt can be read bellow. He also touches upon Golden Age and what it entails during the holiday season, where he finds his home now, and whether he prefers working on stage or behind a camera.
So, you’ve had a super busy year…
It has been a busy year. I’m really feeling it now that the year’s coming to an end. These movies came out this past month and now we[‘re] doing eight shows a week [for Golden Age]. It’s been a lot of work, so I’ll to be looking forward to a quiet new year. But, it’s been great. It’s good to be busy. There’s nothing I like more than being busy. Good characters to play and good people to work with. There’s been a lot of that this year, so I couldn’t be more grateful.
Is there any reprieve during the holiday?
Theater schedules through the holidays are relentless. I guess I figured we’d still be doing eight shows a week, but it’s tough. There’s so many shows. But, it’s good. It’s a privilege to be able to do the show for people. That people want to come is awesome.
Given your recent roster, are there any standout moments of 2012?
Shooting scenes with Steven Spielberg in the Congress (sic) [for Lincoln], that was pretty incredible. Big scenes, lots of extras, a couple cameras moving. You really feel like, “Wow, I’ll remember this. It kinda doesn’t get better than this.” Then, I went to New Zealand to work on The Hobbit for a couple months. To be on those sets, which [were] equally incredible, and to collaborate on and play a character that is the product of so many people’s imaginations – Peter Jackson, Philippa Boyens, Fran Walsh and the costume designers – [was] very, very special.
FOR MORE, GO HERE.
My deepest apologies for the delay on this update: I was out of town when the interview was first released, and then I completely forgot about it. Anyway, there is a new-ish article from Theater Mania in which Lee Pace talks Golden Age – including approaching opera and his character’s sexuality – and the three big movies he was in that were all released within a month. As some of his fans know, Lee is a very big fan of Daniel Day-Lewis, and he talks a bit about him as an actor. Check out an excerpt below before heading to the source for more.
Where would you put your knowledge of opera on a 1-10 scale before you started Golden Age?
Well, I went to Juilliard, so you can’t help but get a little dose of opera when you go to that school. I’d seen a couple of things at the Met. And I had heard Bellini’s Norma. So it’s hard to say — but I guess 2, maybe 3.
Did that lack of expertise make this job harder for you?
I had a good month ahead of rehearsals to just listen to music and work on the research about Bellini. There’s so much fascinating research about this man, and I love doing research. My favorite thing about being an actor is to learn new things. But it wasn’t just about listening to the rest of Bellini’s stuff ; it was also listening to Donizetti’s stuff, Rossini’s stuff, Wagner’s stuff just to kind of get a real sense of what it was that Bellini was trying to do artistically, what musical information he had, and what influence he had on others.
Was exploring the music the most interesting part of the process for you?
One of the most fascinating things about the play to me was Terrence’s point of view on what it takes to make not just art, but to make an event out of an evening of opera. And that’s what Bellini does– the opera is not just the music, it is an event. It is all of the people in the boxes waiting to see the show and it’s the stars who step up on the stage and perform this incredible athletic feat of singing these notes. And it’s about arranging that kind of night and figuring out a way to make that night emotionally poignant and meaningful.
FOR MORE, GO HERE.
We haven’t seen a Lee Pace interview in print in a very, very long time, but Backstage.com recently chatted with him about Golden Age — finally! He talks about channeling his inner Vincenzo Bellini, feeling a little nervous and unsure of his performances (like any genius artist) while maintaining a high-adrenaline buzz (like Bellini experienced after succumbing to his masterpiece). It’s a great, articulate interview that taps into Lee’s training and approach as an actor. Check out an excerpt below before heading to the source for more; it’s also been added to the press archive.
Vincenzo Bellini is a complicated character. How did you prepare for the role?
Lee Pace: The character is very much about throwing it all out there and throwing aside structure and form and just letting his art be an emotional, wild thing. I just tried to get into what the thoughts were. He knows that he’s very ill and that he may never be able to organize an evening like this again. That’s a big part of the insecurity. When you’re ill, you don’t think very clearly. When I get nervous about something, it’s because there are things that are making me anxious. So I spend the performance reminding myself, “Is it going to be good? Am I able to fulfill my potential?”
FOR MORE, GO HERE.
There are four new production photographs from Golden Age in the gallery, many of which came from the play’s official site. If you head over there, you can view loads of new shots. All four of the ones added to LPO’s gallery show Lee Pace alongside co-star, Bebe Neuwirth. There’s also now a HQ version of this image.
While at The Hobbit: An Unexpected Journey‘s New York premiere last night, Lee Pace was asked about future projects — including his potential involvement in Marvel’s Guardians of the Galaxy. We’re lucky enough to have video footage of him confirming that, yes, he will be auditioning for the role of Peter Quill, AKA Star-Lord. He also says he’s read the script and that “it’s great” and “the character is a lot of fun.” The audition is on Monday, where he’ll apparently “meet everyone,” so best of luck, Lee!